Muse Sends Mixed Messages on New Album: English Rockers Show-off Collection of Mismatched Songs on The Resistance
Pearson Jones Assistant Style Editor Muse’s musical intuition has been distorted since its triumphant, mainstream success with their album Black Holes and Revelations, which launched the British trio across the pond and onto the radio wavelengths and music scene of the States. Muse’s newest album, The Resistance shamelessly borrows musical creativity from Queen and Radiohead, a catalyst for lead man Matthew Bellamy to compose his passion-project rock opera album he apparently has been planning to do for a while now. Not many bands have the gumption or musical perception to compose a 15 minute-long three-piece rock symphony—something that supposedly took Bellamy 10 years to write—complete with an overture-to-outro on an album already crammed to the brink with unfamiliar sounds and difficult music that listeners will need a couple of go-arounds to comprehend. The Resistance introduces itself with the albums weak single “Uprising,” a minimalistic beat-driven song that’s so unmemorable you’ll forget about it as quickly as it probably took Bellamy to write the uninspiring, anti-conformity lyrics. “They will not force us/They will stop degrading us/They will not control us/We will be victorious” is sung by Bellamy in a quickly spoken style. Bellamy’s lyrics are so cliché they end up losing […]
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