Dialogue Vs. Dynamite: Solving the Feud Between Explosions and Plot
Evan Benton, Staff Writer Last weekend, I was arguing with a friend from my high school who was in town for the night. I had just come out of a University Mall Theatres screening of Inglourious Basterds, and was particularly surprised and enthralled by the film. The strength of Basterds was its writing, as it is in every film Quentin Tarantino has ever made. He possesses a narrative style all his own, and writes dialogue so realistic that it makes even the most outlandish and fantastical themes seem plausible. The friend from my high school, Steve, has been my friend since the first day of school in eighth grade. And in those nearly eight years, half of every conversation Steve and I have ever shared has involved the topic of film. We bloviate on the best movies of our generation, dismiss certain actors and actresses and praise others, and generally consider ourselves the most luminous film aficionados of our generation. And when two people such as these discuss something they love, sometimes they high-five in concordance, but they mostly butt heads in discord, the latter of which applied to this particular argument, which occurred while Steve was about seven beers […]
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